4/25/2018

Refraction (2018) - Rose Window

ショート・フィルムのレーベル、プラットフォーム(になっていけばいいな)「Phi Beta Kappa」を始動した。Raul AltosaarやJames Johnsonに出会ってからというものの映像表現についての興味が大きくなっており、それらを自由に発散できる場所が欲しくなった。ついてはPBKは完全に音楽とは切り離したところで静かに運営していこうと思う。私自身も映像作家として不定期に作品を公開するし、私が好きな作家も招聘して数分の映像をアーカイブしていく予定。

4/24/2018

Nile Koetting - LIVE 2017


Nile KoettingLive at LIVE 2017Wednesday, October 4 @ Western Front Video by Sebnem Ozpeta.More about this performance at http://livebiennale.ca/2017/2017/10/0... Curated by Makiko Hara first,class is a multimedia performance by Nile Koetting premiered in December 2015, in the frame of the 3HD Festival at the Hebbel am Ufer Theater in Berlin, Germany. The piece deals with the relationship between economic systems and leisure time. In this sense, it is both a musical and audiovisual composition, as well as a performative investigation about time and labour. The body of the artist in the piece is just a part of an elaborate time and space system. The human and non-human elements on stage are choreographed under an intricate structure of images, which together form symbolic narratives of leisure time, relaxation, holidays and exotisism. They become part of what is known in capitalism as the tourism industry. The origin of the piece can be traced in the artist’s experience of encountering the commodification of free time in this industry. His body (in the piece actually a ​working body) was foreign to the imagery of commodified leisure, and in the performance he experiences it. From his Japanese background—where the labour market has one of the shortest minimum annual leave in the world—the body has to adapt to the overwhelming input of a postfordian consume of a commodified experience. Nile Koetting (b. 1989, Japan), is an artist currently lives and works in Berlin. Koetting works with a diverse range of media, including text, film, performance, sound, and installation.His work is connected through the constant presence of the theme of “resonance” and “sensing”. After completing studies in media, sound art, performance art in Tokyo and Helsinki, Koetting became active in performance, sound and installation work. Koetting’s work has been presented at “New Sensorium” (ZKM, Karlsruhe), “Roppongi Crossing 2016” (Mori Art Museum, Tokyo), “Liaisons Ambigues” (Maison Hermes, Fondation d’entreprise Hermès, Tokyo) and “Made in Germany Drei” at Kunstverein Hannover in 2017. http://nileshaw.org Nile Koetting performance is supported by the Saison Foundation, Japan

Mirai will release us

irrésistible / minha fantasia


A Q U A E再始動。🎉
jccgは世界一美しい人だと思っています。

Ico Yorda - Wrecker - 002



exilevevo

少し前に知った今年の春に高校生になったばかりの女の子がいて、彼女のことが非常に気になる。読書家で、詩が好きで、この年齢特有の危うさみたいなものがあって、インスタグラムには性を仄めかすような写真を投稿して。厨二病?いや、そんな安い言葉ではない。彼女の日常はきっとそこらへんの学生と大きくは変わらず、私からすれば彼女はSNSでしか観測できず、それは非常に狭い世界なのだけれども、どこか浮世と離れており、私がメトロノリに惹かれるのもそういうところだったりする。自分が高校1年生だった頃にこれほどに美しい表現をしていたかな。どう考えてもしていないよ。ティーンにしか出せない輝きがあまりにも眩しすぎる。彼女は2003年ぐらいの生まれだろうか。あぁ、凄い時代だな。